I have always felt a really strong connection to the Maria Energy and know that part of my purpose is to penetrate the veil into higher dimensions with my voice. I am particularly drawn to churches to do this work. Early on, as a teenager, I became part of my first church choir. Only at 14 the organist asked me to sing solo in the church. I also loved singing the oratorios and the church music. In the past years I have started gathering beautiful Ave Marias and decided to offer them as a meditative – healing program or a part of masses in churches around the world. Cooperating with a local organist makes the program even more whole and gives a deeper connection to the community. It is my role to be a catalyst in healing, cleansing and uplifting wherever people are open to the energy that I am channeling. These concerts can be ordered. The repertoire is ready.
Concerts without a program: “Carpe diem.”
In my “Carpe diem” Concerts, I tune into the energy of the audience and choose the songs/arias in the moment. In these concerts I have experienced many deep connections and interactions with the audience. Breaking the ice and a certain frame in the classical realm opens up totally new venues and possibilities. Inviting spontaneous and magical things to happen. When the audience does not divide their attention between a program and program texts they have the possibility to give their full attention to the moment. To listen with their Heart instead of their Head.
I love being part of peoples special moments in life, such as baptism, weddings and funerals. To sing a beautiful Ave Maria or other songs that have a special meaning for the listener. I also like singing a cappella to exhibitions or other special arrangements if the acoustics and the ambient is fitting this kind of a performance. I do not do microphone singing nor singing for loud crowds etc.
For a classical singer, that is used to a strict framework around performing in opera and on the concert platform, taking the step out of the box has been quite a journey. The first step was when asked to perform at an Exhibition and the person asking me said; Can’t you just sing alone without accompagnement? I was baffled for a moment but then decided to give it a try.
That first time went really well and was the beginning of my explorations of the power of my own voice. Both as an instrument and the healing elements. I was also amazed how much I enjoyed the ambient of a cappella singing. How much freer I felt and how much freedom unfolded the more I allowed myself to let the voice guide me into letting go of my own restrictions.
Many other opportunities followed and soon after I dived more into the healing/spiritual aspect, offering people to come and lie on mattresses while I picked songs to sing and walked between them. At the beginning I held tight on to my casio pianette and my music but gradually was able to let go of it all. Soulflowsinging was born!
I very soon noticed the positive effect of my journey with the a cappella singing and my Soundhealing events on my other classical performances. By integrating and bridging my spiritual self with the classical singer self I came home to the heart of my call in life. This means that Soulflowsinging is always present on which ever platform I choose to perform. It is not separated from each other.
The Soundhealing events are designed for a small group, 6 - 8 people so that I can concentrate and tune into each one of the participants energy field.
We start with a meditation in a circle where we dive deep into the inner world, including grounding and connecting to the higher. I use essential oils to assist in increasing relaxation, grounding, releasing, forgiving and purifying.
Then I stand up and focus on each participant’s masculine side and let the voice just take off on its own, expressing the field. The same round for the feminine side. Often I get special messages and visions for each participant. And very often the tunes that happen to come up have a special meaning for each participant.
We end by sharing and cleansing.